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Dealing with the unreliable....


mark555

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Here we go again. As you will know, if you have been reading my blog, that we worked really hard to find a singer to front our band, Route 62.

 

One of the essential criteria for the singer would be his willingness to buy a vocal pa. After all, I would not join a band and expect them to buy me two or three guitars and a nice valve amp, but when it comes to singers, they seem to expect the band to provide their equipment. After all, we are not asking any one to buy a mega rig, just something to get their voice over the guitars and drums. We are not very loud, a couple of fender forty watt valve amps, bass and drums.

 

"Oh yes" said our new singer, "buying a pa is no problem - blah blah blah, can I join the band"?

 

So we got our new singer, had six weeks of rehearsals and were getting ready to look for gigs. So, off we went to a local music shop which specialises in band equipment and has plenty of pa for sale. The guy was extremely helpful and was giving us good advice about what we needed and not what he wanted to sell us. A very adequate pa could have been sorted out for £1200. Well, our singer took loads of notes and as there was a practice that coming wednesday we decided to let him think it over and then see what decision he had come to.

 

Wednesday came and we were all at the practice waiting for the singer to turn up, and as time went by it was obvious he was not coming. He had sent one of us a text message to tell us, but we all know that in our band, we do not text because text messages do not always get picked up, there is an agreed rule that if you can't make practice, you phone and speak to one of the others in the band who will let others know.

 

I knew there and then that our singer was not going to stay in the band, and the next day I sent an e mail (having tried to phone and speak to him several times) and asked how he was and how is search for a pa was coming along. It was my intention to get him to come right out with what he was thinking about, and sure enough he replied saying that he did not think it was the right thing for him to do to spend money on a pa at this time. This was very disappointing to us because we had been very straight with him at his audition and asked him if buying a pa was a problem for him because it was a requirement, and would the money be a problem? His answer had been very positive and that he would be very happy to get what ever he needed. I e mailed him again and expressed our disappointment in his decision and pointed out that we had been very clear and that he had lead us to believe he was quite willing to invest in a pa. At this point he has not replied. I firmly believe that had we had a pa which was powerful enough, he would have been happy to stay with us, taking his cut of the gig money and putting nothing into the band.

 

So, where does that leave us? Well, my main concern is that Allen, our drummer, will go elsewhere as he could get a gig with a band very easily, for now there is a four piece line up just seeking a singer. I hope Allen stays with us, the personality mix in this band is excellent, nice guys and we all get along. I know that no matter what, the two guitarists and bass player will hold solid, so the nucleus will be sound enough.

 

But I never thought for one minute that it was going to be this tough to get a working line up together. So for us, it's back to the search for that most elusive of band members, a vocalist who can actually sing. (And who will buy is own pa, after all, a couple of new Heritage guitars costs you far more than a good pa does here in England.)

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That's too bad, Mark. Mostly the loss of time invested and that you're back to searching for a singer again. If it hasn't unraveled totally and if your mates are open to it, maybe a compromise could be worked where the singer buys part of the pa?... He gets the speakers, someone else (or even the band splits) the board or something. Just a thought. Could be that financially your singer just can't swing it at the moment regardless of his intentions to do so. I understand your view of the investment instrumentalists make vs vocalists, although it's unusual (in my limited experience) for the singer to own the whole pa unless a band leader that's hiring side players. Instrumentalists can gig with a small investment like a squire classic vibe and blues jr... even thos we'll gravitate to the best gear we can afford.

 

Other thought is to look to clubs that have their own pa - most around where I live have their own system now, which of course makes it a lot easier. Anyway, hope this bump in the band road works out for you.

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Thanks Ron, as we are not loud, a huge pa is not needed, but our target market place is the british pub, a totally different gig to the American club scene, they don't have pa's at all. Also, he would have needed one for rehearsals. Thanks for the good wishes though, I really appreciate them.

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Vocalists, eh? In my experience you're lucky if they have a decent mic of their own. Here's a thought - do you know anyone who has a small PA you could hire, possibly another local band? When we (the Pete Donaldson Blues Band) gig, we use a mate of our drummer to provide a PA for a fifth of what we make on the gig. If he can't do it, we use my PA, which is a modest affair I've put together from a mix of second hand and new bits. I got a Studiomaster Powerhouse 300 8-channel mixer-amp (300W per channel, built in digital FX) for a couple of hundred quid via the local paper and a pair of RCF cabs (12" plus horn) for about the same from a local shop. Pete has his own Shure SM58 plus stand and a Peavey powered monitor. I bought an SM58 and powered monitor for myself. This setup is more than adequate for pub gigs. I suppose my point is that it's possible to assemble a usable PA for significantly less than £1200. Anyway, best of luck and I hope you get it sorted so you can use that 555 in front of an audience!

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