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Heritage Owners Club

deytookerjaabs

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deytookerjaabs last won the day on November 9

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About deytookerjaabs

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  1. Solid State amps should be easy to repair if you take them to any proper service center for brands like Nord, Roland, Yamaha, etc. Not a big deal for their techs to fix SS amps. Solid State amps are not digital modelers like the Tone Master. A Solid State amp is still a fully analog build and has the same complications in that sense where parts drift, voltage effects tone, etc. Digital amps will sound the same until they die on ya. Digital amp lovers should look into plug-ins with their computer more often. You'll find many, many bits of software out there you can tweak at your leisure. Some digital boxes are like this, others like the Tone Master are one set of engineer's ideas on how something should sound. The way to test a modeler versus tube is to find two similar guitars whose difference you notice well in an amp like a Twin Reverb. Say, a 335 and a Les Paul. Plug both into the Tube Twin and see how different they sound. Then do it with the modeler, chances are the modeler will not give you as much variation in attack/punch/etc though both will "sound good." It's more the conversion of the sound to digital before it hits the algorithm that changes the way they react versus tube amps. But, like a computer plug in, a digital amp can still get far enough to model tones of a certain nature. They're all tools. I like tube amps because they're just works of 20th century art. Hot glowing tubes, insane analog resolution, so many cool looks from an old tweed to a 70's Orange to a blackface Fender to the Marshall head. Just, an aesthetic quality that pleases me to no end.
  2. I don't think you're recognizing the scope here. Walk into any guitar store in the world or just your local guitar center. Take a look around and count how much of the stuff on the walls is based off of (with tiny changes for, ahem, legal purposes) and/or directly using shapes/designs/parts/etc developed right in the main building on Parsons street? We're talking millions of guitars made and a huge portion of their history lies right there in lil' ole Kalamazoo. Even the "modern" stuff is just tweaks on Kalamazoo stuff. Thus, given the immense impact Parsons street had on the guitar world it's wonderful that the building and people of whom some were multiple generations involved had still been there, in some fashion, working in the tradition many many years later the right way. I don't know a lot about India beyond a trip to the local restaurant so as to what world changing things developed there that branched out which compares to Kalamazoo as such I've no clue. I don't think I'm romanticizing the blunt facts of the matter. However, we can certainly quibble of the materialist approach of "who gives a **** an axe is an axe" which I understand that side of it too. But, damn, seriously, the impact of Parsons street and the people in Kalamazoo to the guitar world can't be overstated at any level of hyperbole. Oh well.
  3. Stories make the world great. Americans don't appreciate much, really, we tend to throw everyone under the bus with trashy pseudo logic when it suits a frame of mind because we're programmed that way from elementary school. I'd like to think I'm smart enough to grasp the scope of the matter that when certain good things die off it's not always for the better or for "progress." In many cases, it's a clear downgrade. I remember, 15 years ago, haunting two leftover Jazz/Music clubs on Chicago's south side for the weekly jams. The New Apartment & Velvet Lounge. They were a time warp. Running the jams were cats in their 60's, 70's, & 80's. Guys who had memories & experience from the days when the south side of Chicago was a mecca for live Jazz & Blues. Even better, they all played on the south side circuit back in the glory years and had friends/family who performed going back to the turn of the century! Most the players didn't become famous but they could all play their ass off, the right way, with a heavy swing & exciting dynamics that kept a crowd interested. Just being there late night watching the people's attitudes, the casual excitement of it all, the older folks tending the bar, the local clowns BSing. Watching some guy drive his beat up day job construction van to the curb, hopping out and walking in with a spring in his step two drumsticks in his back pocket. He gets up on the kit after the next break and just kills it, really really kills it with excitement & chops & emotion and after 30 minutes of pouring sweat he go gets a beer then chills at the bar. Music in the blood, in the community. And, to know that's about all that was left of something much bigger and of incredible importance. Everyone knows the story, the next generations preferred their stadium rockers, the players preferred impressing themselves more than anything, the interstates moved in and split up maxwell street while demolishing rows of clubs/homes, then the kids just wanted to rap & the schools stop teaching music and in the end the demand was small, local. So, eventually the "South Loop" started to be a thing so as prices/demand changed for the properties one club closed down & the other moved to a new location then became a DJ club. A lot of history died and at no point did anyone anywhere look at that little corner of the globe and say "hey man, this is important, we need some of this to still be around." It's ALL gone now aside from a few self funded corner museums. Heritage? Phhh. It was all that was left of the golden years of the American Archtop and arguably the American Electric. I mean that in the very direct sense of a true lineage. Many of the people there had family building instruments in Kalamazoo going back to the 30's, the town used to have a Gibson reunion every year etc. Stromberg, Epiphone, D'Angelico, and others all dead, bought, sold, shuttered, moved, outsourced etc. Well, the other names at least having zero tradition beyond someone buying the name & making a buck off it using the old logos/brand. And if ya ask the guys making the new buck they're always gonna tell ya things are better than ever, funny how that works. At the same time you can go to other places on the globe and see people/families doing certain traditions the way they always have going back centuries. And, with a market just big enough to stay afloat while no one in the tradition scours the investors in hopes to go flatulate with their mouths on the latest episode of "Shark Tank." "We make the best bread in all the land, let's sell our name and cash out!" So, what were we talking about? Oh, perfect fit and finish. Excuse me while I go Alibaba.com and buy that $150 single cut which will technically arrive with a perfect fit and finish because it's made without all them stupid old fashioned methods. Remember folks, brush your teeth with Colgate brand toothpaste, it whitens your pearls like no other! Also, don't forget to tune into the news at nine: there was a house fire in the hood, something in broccoli is good for your heart and let's insinuate that some folks aren't worthy of being treated like humans.
  4. Love the 575 but I also vote for a laminate version at $1,000 less with offset P90's, maybe slightly smaller f-holes as those are some pretty big holes.
  5. I'm glad you bought it too, when I saw your post on the price I started thinkin' too hard and I'm already in deep with the missus! I'd be happy with the guitar and miserable that I had it, lol. Congrats!
  6. Wise move, you are a gentleman and a scholar.
  7. I don't know what the cost would be but my buddy in a group I play with is an administrator by day for a network of local clinics and he x-ray'd my foot for free when my toe was busted! I even have insurance, I just thought I'd take him up on the offer. I think it's very little overhead or cost for them to snap a pic but the waters get muddy/expensive when medical billing is involved. It might be a request so out of left field that if you talk to the right person they'll laugh and say "c'mon in." The worst they can do is give you the old bureaucratic "sorry sir we cannot accommodate such a request."
  8. You could call around a couple local clinics and ask a tech if they'll let ya X-Ray it for a small fee, that'll give you the answer.
  9. No secrets on the internet! I played this guitar unplugged, it was awesome! It sat on display in the center of the hollow body area. Anyone out here hesitating, make them an offer. I'm already good in the ES department or I'd have taken the plunge. They're still doing the nashville bridge for whatever reason...old habits die hard. I'm not even anti-nashville bridge, I'm just conditioned to expect it once the $$ gets real. I agree, you can keep a guitar with nickel hardware in it's case for 5 years and that's how it will look when you open the case. Too many nice guitars.
  10. Update, I saw one of these in person at Chicago Music Exchange yesterday and though I'm not a fan of aging per se it looked as good if not better than the best Gibson aged stuff. It was an H-150, the top was really purdy, the rosewood was a fine looking deep chocolate, the salesman strummed it a couple times and the sound seemed pretty big. Apparently it was one of those 'NAMM guitars. I thought I was going to get to try it but when I asked a few minutes later he said "Oh no, the fella near me was here to buy it!" Gone it went though I think I did alright in the end.
  11. Pudgey? That's glue sunken into the wood beside the inlay, when you place it in then wipe the glue some parts of the wood are more spongey so to speak and the glue sinks in. It's an old guitar, I just did a refret on a '65 firebird of mine and two dots fell out! The gap is the wood swelling/shrinking a hair, completely normal with age. Anyways, congrats, both guitars look top shelf!
  12. Some, IMO, are pretty cool like a few Nacho Banos examples, maybe some early Fender Custom Shop ones just because the attention to detail is so high they look insanely convincing. For the most part I think Gibson and modern Fender pre-aged guitars look like crap. I think my VOS Gibsons look tacky as hell too...you can see all the swirl marks from the steel wool in the finish then couple that dullness with aged parts, doesn't look anything like my vintage guitars, the first thing I want to do to a VOS is buff/polish the heck out of it. And, yeah, my '54 reissue strat and SJ-100 are already covered in checking lines & wear/tear from use, not quite the same as the old guitars though. Instead of VOS they should do a run of guitars shot with this stuff: Straight up filler plus color & clear, keep it super thin. The guitars will be checking/yellowing like vintage guitars within a few months/years of ownership. I'm not sure why more small builders don't use old school lacquer formulas as a feature as there are people who make a living re-finishing guitars with 50's formula junk lacquer so there's definitely a market for it. Not all your guitars as some folks would complain but offer it as a custom or special run option.
  13. They both got sent back, actually the first one came with the ding the first time....then the replacement had the unseated Frets and that ordeal was the biggest PITA you could imagine but it all got resolved in the end. Eh, getting a turd is like paying to see the Stones in '71 and standing stageside in the front right where ya can't hear Mick Jagger and Keith is a bit out of tune.....does that make them some lame band who doesn't care about their fans and is worthless to see for all time...or was it just a bad day?
  14. Thanks, so maybe the "Golden Era" put out 25k-35k guitars total? That's about Gibson's monthly output.
  15. I agree, Heritage today still isn't anywhere where Fender is in this department but they sure ass **** have changed from where Eastman is today and Heritage of yesteryear. Here's a thought on the topic, "Golden Era" Heritage shipped about on average 7-12 guitars a day, 5 days a week around 45 weeks a year for 3+ decades? Is that a couple thou a year for 30 years? That's a lot of guitars if my math is right. 40-60k guitars? Or am I way off? On Reverb right now from '85 to 2010 there's 84 "used" Heritage guitars for sale....of all 140 used models total and 15-20 of those are 2017 and up. That's a super thin used market if the numbers are close to correct, or my numbers are wrong cause that doesn't sound right. Am I way off here???
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