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Well congrats!! I always liked that gtr. If I remember correct some guy at a PSP shredded the hell outta that thing, back in the barn days? did it justice for sure. A good repair shop should be able to repair the neck & truss rod.

Beautiful guitar DBlues. IIRC, you sold it because of the neck. The top also has mineral streaks and, at that time, some here considered the streaks to be a bad sign; it is not a bad sign. With a little research you’ll find mineral streaks are indicative of maple grown in wet areas where the ground has plentiful minerals. The maple that grows best in wet areas is the red maple AKA swamp maple. A fair number of ‘59 Pauls also have mineral streaks. I’m not at all opposed to mineral streaks and even covet them; so much so that I’ve planted red maples in the wettest terrain at the ranch for the next generation. That’s my, long winded, way of saying Happy New/Old/Refurbished Guitar Day. She’s a Looker!

May have posted this in the past, But since we're focusing on fuzz here.... Never a fan of it, but given this is a Lucinda Williams tune, and I'm a big fan of the fearless Stuart Mathis, I thought...why not get way out of my little box. This is from the Be Good To Yourself project, and since we were tracking nearly thirty songs, I figured I'd better come up with a variety of tones and approaches. I'm pretty much down with what Randy (fdx99) observes in his notes, above. As I recall this track was my Tele for electric rhythm, a Nashville tuned Red Label Yamaha FG-110, and the fuzz was my Nash Strat, bridge pickup, into my Low Power Tweed Twin clone. The fuzz was an MXR Hendrix Octavio, which has a pretty great fuzz! Fuzz is there in a couple of early chords, but doesn't really appear until the guitar outro, last 1:30-ish of the tune. I'm a little proud of this one. The vocalist is eighteen-year-old phenom Māya Beth Atkins.