nuke

Thanks guys, it is really hard to describe "tone", but I want that nice, bright, but not harsh top end. The 59's are good, especially with more gain/distortion. But I tend to play on the edge of break up most of the time and even sometimes quite clean and bluesy. The 59's seem to have a peak in the 1khz-2khz frequencyrange that grates a bit on my ears. I wish I had money for the ThroBaks, they sounded so incredibly sweet in my friend's R9. Now to find a deal on a set...

Anyone have direct experience swapping out a pair of Seymour Duncan 59's for a pair of Seth Lovers SH-55 pickups? I have a '98 H150 that was a special run with SD59's and standard tune-o-matic bridge/tail from the factory. It's also a lighter one, about 8-3/4 lbs. I've owned it for over 20 years now. Use it as a work-horse. The 59's are ok-ish, but I find them a bit aggressive and in general, I find they have in this, and many other guitars, a treble peak that's a bit harsh. It isn't overly bright, but it just has a peak in the wrong place to my ears. The original pots from Heritage were like the Norlin era-Gibson, 100k tone and 300k volumes, which darkened it up quite a bit. When a couple of the pots showed wear, I changed them to the more typical 500k and "50's wiring" since I like to roll the volumes up and down a lot while playing. I like the low-output PAF sound a lot, clear, articulate, bright but not harsh. A friend put throBaks in his Gibson R9 and that's the direction I'd like to go, but not $900 in that direction.

Yeah leveling beam to level fretboards and frets. The radius is better at establishing the fretboard radius. I find they work well to radius the top of nuts too. I have a 2001 535 that I love. I got it used in pristine condition a couple of years ago. It left the factory with a very not level fretboard. It was like a roller coaster. It was also only 9.5 radius too. Some heroic effort had been applied in its prior life to level the fret tops. It played but had buzzes here and there. it just didn’t feel right either. Some frets were as tall as new wire, some were under .030 tall. Tried everything I could think of. Then just decided to pull the frets out and do it right. After leveling the board nicely and sanding it to a 10 inch radius refretting was a snap. Having a level substrate to set the frets in meant not much leveling work was necessary. Saved a lot of meat on the frets. Moral of the story, have a good look at the fretboard. If it ain’t level, the frets won’t be either.