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Heritage Owners Club

nuke

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Everything posted by nuke

  1. A very young bass player once bought a Rickenbacker bass, in the footsteps of his hero, Chris Squire. He was most disappointed to find that he didn't sound at all like Chris Squire. The young bass player eventually became quite famous on his own and associated closely with the Rickenbacker bass. Thing is changing parts will make little tweaks in the sound, but you might be chasing a ghost. We don't really know what instrument might have been played in a studio, even when a musician is strongly associated with a particular instrument. Sometimes, maybe there was just something random in the place and he picked it up and played it. Then there's the amp, and the micing and the room, and the engineer's technique to take the track, that particular session or maybe many sessions and so on and so forth. Find the guitar that works for you and your hands, and play the song(s) you want as well as possible. Then, record it. Compare overlayed on the track you want to sound like. See what you can do with various studio/DAW plugins, especially ones that represent the things that might have been in use at the time it was originally recorded. Then do some deducing what is and isn't close to your ghost. In many cases you can get "there" with some EQ, compression and creative dialing in of those.
  2. Just got to figure out the ship in the bottle approach specific to any particular semi-hollow. They're all a little different, think it through, make some tools. I have a 1/4" plug soldered onto a pretty stiff #8 wire with teflon insulation for pulling the jacks through on guitars like 535's where the jack is in the side, and a different one for 335 types with the jack on the face of the top. Switches on the 535 are more trouble-some, since they're thinner than the typical 335. And a roll of nylon floss, to tie to the pots, a few cuss words and a hell of a lot of patience.
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