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If you were designing a new Heritage guitar. What would it look like?


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Am a jazzer, so: 1. Super 400 size with 1.5" thickness

                        2. Double cutaway, but with each horn

                            the shape of the 576

                        3. Laminate mahogany b/s; solid spruce top

                        4. Slender unbound f-holes with a violin's look

                        5. Varnish finish instead of lacquer, for better

                            sound transference and fewer finish cracks

                            over time

                        6. Center block to knock out most feedback

                        7. Lollar Charlie Christian neck pickup

                        8. Rosewood archtop bridge

                        9. Elegant tailpiece, like L-5 or Yamaha AEX2000

                      10. Any color combo. Mine would be dark almond

                            burst b/s, with antique natural top.

                      11. Blank fretboard, with option, at no charge to

                            put on inlay from any model.

                      12. Curly maple or koa headplate

                      13. Short or long scale

                      14. Art Deco headstock design- double points, like

                            in Jon Kinkead's book on acoustic guitar building

                      15. Street price of under $3,000

 

For Bluegrass: Bring back the acoustics! This time, all solid woods, with walnut sides and back being one. Most makers concentrate on rosewood and hog, and plain, unfigured walnut is cheap, so there might be a niche in the under $1,200 street price mkt.- Charles

                       

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Am a jazzer, so: 1. Super 400 size with 1.5" thickness

                        2. Double cutaway, but with each horn

                            the shape of the 576

                        3. Laminate mahogany b/s; solid spruce top

                        4. Slender unbound f-holes with a violin's look

                        5. Varnish finish instead of lacquer, for better

                            sound transference and fewer finish cracks

                            over time

                        6. Center block to knock out most feedback

                        7. Lollar Charlie Christian neck pickup

                        8. Rosewood archtop bridge

                        9. Elegant tailpiece, like L-5 or Yamaha AEX2000

                    10. Any color combo. Mine would be dark almond

                            burst b/s, with antique natural top.

                    11. Blank fretboard, with option, at no charge to

                          put on inlay from any model.

                    12. Curly maple or koa headplate

                    13. Short or long scale

                    14. Art Deco headstock design- double points, like

                            in Jon Kinkead's book on acoustic guitar building

                    15. Street price of under $3,000

 

For Bluegrass: Bring back the acoustics! This time, all solid woods, with walnut sides and back being one. Most makers concentrate on rosewood and hog, and plain, unfigured walnut is cheap, so there might be a niche in the under $1,200 street price mkt.- Charles

                       

 

Hi Charles,

 

I like your specs, would you really go for something as thin as 1.5"  ?

 

Just curious as to your reasoning for that.

 

A lot of your specs seem to indicate that you play jazz at fairly high volume levels, would that be correct ?

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  • 2 weeks later...

Southpaw Guy, already have a H-550, so don't need another guitar with 3" sides. Think that a guitar with a really wide spruce top like the Super Eagle would look even wider if the sides were thinner. My guitar sometimes feeds back if I cut loose due to the Charlie Christian p.u. Like a larger guitar than the double cutaway semi-acoustics, and don't like too dark of a tone as Super 400's and Super Eagles can have. Would be easier to play standing up, as well. I play in the styles of Farlow, Kessel, Ellis, and Raney, with a little of Burrell in there. .011-.050 flatwounds would keep it clean, yet not murky. The closest Heritage makes to this is the thin body Eagle Classic, I believe. Have even thought of buying a Super Eagle and having a great luthier remove the back to put on thinner flamed maple sides- just kidding! - Charles

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Southpaw Guy, already have a H-550, so don't need another guitar with 3" sides. Think that a guitar with a really wide spruce top like the Super Eagle would look even wider if the sides were thinner. My guitar sometimes feeds back if I cut loose due to the Charlie Christian p.u. Like a larger guitar than the double cutaway semi-acoustics, and don't like too dark of a tone as Super 400's and Super Eagles can have. Would be easier to play standing up, as well. I play in the styles of Farlow, Kessel, Ellis, and Raney, with a little of Burrell in there. .011-.050 flatwounds would keep it clean, yet not murky. The closest Heritage makes to this is the thin body Eagle Classic, I believe. Have even thought of buying a Super Eagle and having a great luthier remove the back to put on thinner flamed maple sides- just kidding! - Charles

 

Charles ....

 

Have you checked out the 525 yet ?

 

photo1_3ca05.jpg

 

Photo4_809b4.jpg

 

http://www.gbase.com/Stores/DealerStore.as...p=5&Track=Y

 

That Heritage model is giving me bad GAS at the moment, thanks mostly to mister P-90 himself ( aka Kuz)  ;D

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Charles ....

 

Have you checked out the 525 yet ?

 

Photo4_809b4.jpg

 

http://www.gbase.com/Stores/DealerStore.as...p=5&Track=Y

 

That Heritage model is giving me bad GAS at the moment, thanks mostly to mister P-90 himself ( aka Kuz)  ;D

 

 

I have an original 1961 ES-125TDC that looks just like this.  It is in 90+% condition and is an incredible playing guitar. 

 

That being said, I would like to get a 525 and a 575.  A co-worker has a 525 and it is great in every aspect....jazz, blues, rock- no matter what- it just  flat out does the job.

 

Jim  C

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  • 4 weeks later...

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