greywolf66

My "Robben " settings VOL/OD at 12 oclock, output at 1/4 , mods and bass at 1 oclock, treble at 9 oclock, Jazz switch , EV12 M cab Signal path : Xotic Super Sweet boost( set for mid boost and 6db of gain)->JA Hourglass dual compressor( set 50% comp )->Keeley Darkside->Enigmatic->Keeley Hooke Rev/Trem/Univibe (set for mild Uni- Vrb)-> TC stereo Chorus/Pitch/ Flange (set for subltle oitch shift)--> ch 1 Mesa Studio 22 + with 4x12 Marshall slant front / Ch 2 PRS Blue Sierra 50w with 2x 12 That's with my H 535 , slight tweaks for other instruments.

While a bit pricey, it is AWSOME

Fender Blues Deluxe, Peavey Classic 30 both have great cleans and plenty of power

I love a good fuzz , currently I use the one in my Keeley Dark side, with an Xotic Super sweet and a JA Hourglass dual compressor before it the chain and the Enigmatic 82 overdrive after it's capable of about any overdrive/fuzz tone I'd like .. although I'm looking at Beetronics Swarm as it just sounds SO wicked cool. Beetronics Swarm

I'll never have the coin to own a Dumble, and truly the "Dumble sound" is sort of a misnomer as He built each one specifically for the artist. Robben Ford ( lifetime fan) has the #1 and he's played others that he didn't like. The pedal allows for an enormous amount of tweaking, I have a a full PA setup, (retired soundman) as well as 9 amps to play with . While it has a great OD sound, I set it more towards the "Robben" tone .. Clean , Rich and very touch sensitive. It makes all the other pedals on my board sound more Hi-Fi , similar to when I plug in my Alembics.

I just picked up a Universal Audio Enigmatic 82 amp pedal, their idea of a dumble overdrive special in a pedal. I'm delighted, it makes all the other pedals sound better , amazing clarity, delicious warm cleans , and all the drive you could want. Stereo in and out capable, you can run straight to the board for recording or gigs.