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Showing content with the highest reputation on 02/27/24 in all areas

  1. I would like to have the neck shaved on my 1954 Les Paul reissue. And while they're at it, they can strip off the heavy Gibson finish, and replace it with thin non-plasticized nitro. In this one case, if they did that, I would even like a little relic, because I love when Goldtops check and go green, and it would take years for mine to do that, as I only record with it. If I want two P90s live though, I play my USA LP Special or my Historic SG Special. Both of them have great sized necks with the SG being my favorite neck of the three, it's the smallest, but the LP Special and the R4 have bigger tone than the SG. and the USA Special has the biggest neck of any USA Gibson I've played. Not as big as the R4, but still pretty big. The beast... [img]https://i.imgur.com/SkdvUAu.jpg[/img]
    2 points
  2. That makes perfect sense since when Ed Wilson set the specs on the Custom Core, he was obviously targeting the much coveted "59 LP". Of course, the 59s were all hand rolled, so they would have varied, just as the old Heritage guitars did. Roll it, put the template on it, and if it's close, move on to smoothing and finishing. You probably had at least a half dozen different people carving necks over the course of a year or 2. I'll also bet Gibson rarely threw out a neck in the 50s because it was a bit too thin. It was a business and throwing away necks costs $$$. They weren't making "boutique" high dollar guitars.
    2 points
  3. I play George Benson's "Affirmation" with Heritage guitar. If you have time,please listen to it. Thank you.
    1 point
  4. It's like a 576, one of which I had - a great guitar - but without the 576 block inlays, bound F-holes, multi-ply body binding, and bound headstock.
    1 point
  5. I also like some DiMarzio pickups (biased though as I'm endorsed by them for acoustic pickups). I recently put a set of Twang Kings in one of new Tele builds... and I also put a PAF-59 and a Super Distortion in the bridge of my Telecaster Deluxe. As for Duncans I have a set of custom Shop Peter Green pickups in my Tobacco Burst H150... and a Billy Gibbons BG1400 in another one of my Tele builds...
    1 point
  6. Yeah I had a boutique LP replica with a huge neck. Tracked the builder down & he shaved it to something more manageable. I got carpal tunnel from playing that thing.
    1 point
  7. If you can find a used set of JS Moore PAF's I highly recommend them. To my ears, they are on par with Throbaks at a fraction of the price. I don't know if he is still winding or not, but it's worth in. I'm also very partial to Wolfetone pickups. I have a used set of Bare Knuckle Mules in my 150. I was thinking of swapping them out, so I'll be putting them up for sale. Let me know if you’re interested. If you want really clear pickups and you don't mind something unorthodox, look into Lace Alumitones. I have a set in my other 150 and I absolutely love them. I put a set of flat nickel covers on them with double stick tape to match the rest of the hardware.
    1 point
  8. In my experience the stout C that's over .90 at the first fret is not on a large % of 50's Gibson guitars. Some '58's have it, and other years you see it pop up too but it's definitely not the majority or anything like that. My last Gribbons had the "Carmelita" profile and that neck was nice, close to my '64 335. I think it's just this "boutique=huge" thing that people are looking for, sadly. Good news is you can take wood away quite easily....adding it on is another story!
    1 point
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