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Everything posted by Spectrum13
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You just demonstrated the difference between a CPA and MBA (Me Being Amusing) =MBA
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Cause you can sell buttered bread for more that the ingredients alone. Take coffee: A bag of beans is $6 for 10 ounces. Add hot waters and you can sell it for $5 for 12 ounces of mostly water. If you can make 30 cups out of 10 oz of beans that's $150 from a $6 investment.
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Remember when ordering a custom from Jay Wolfe, Graham asked my opinion on CNC vs hand carved / cut. All I had was a gut response based on internet chatter. We the end user /consumer of fine guitars know little about building vs manufacturing. We purchase and play. Pete's "wood therapy" displays the vast knowledge gap between the people who visit and work at 225 Parsons. RESPECT
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Super thanks for posting
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Bridge and stop tail replacements vintage H535 and H150.
Spectrum13 replied to Jwmusic's topic in Heritage Guitars
This times infinity -
Welcome to the cult! We have a saying, photos or it never happened.
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Check out the truss rod cover! Give a way much?
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Heritage Custom shop bespoke program anybody?
Spectrum13 replied to hopkinwfg's topic in Heritage Guitars
There was a reason when the old guard retired, Heritage only made the 535 and 150's and discontinued or limited production of archtops. They opened to Sweatwater and other large retailers and cut off lots of brick and mortar, mom and pops stores. They were looking at the bottom line. The time and expense of building one-off for Boomers and dealing with expectations of same was altruistic and a money suck. Having a website promising future "bespoke" and making the occasional for a high-profile player and influencers is smart marketing. I was fortunate to have my builds made in 2009, 2011 and 2013. Those days are gone forever over a long time ago, oh well! -
CP Thornton https://www.bing.com/ck/a?!&&p=7ae64cafba0f6c458fe46b9b335271fcf99aa38659a8add00fbdb51ad70f72aeJmltdHM9MTc0MTkxMDQwMA&ptn=3&ver=2&hsh=4&fclid=2333531d-5b6d-6ebb-0060-471b5a7a6fdb&psq=chuck+thornton&u=a1aHR0cHM6Ly93d3cuY3B0aG9ybnRvbmd1aXRhcnMuY29tLw&ntb=1 Can't believe Kuz or Tim don't have some of them
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Skunk works? Don't know
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Bad picture but still a double Heritage sighting
Spectrum13 replied to big bob's topic in Heritage Guitars
Thanks for posting. I attempted to look up "Jerry Reid Aria Pro 2" but got bombarded with pages of junk via my bruiser. -
Modded G bridge on a H150CC API thumbwheel
Spectrum13 replied to hopkinwfg's topic in Heritage Guitars
Brockburst much? That's the ticket! -
Bad picture but still a double Heritage sighting
Spectrum13 replied to big bob's topic in Heritage Guitars
What model is Jerry playing? The cutaways look very different and the headstock appears to have a model name on it. -
No disrespect but does your engineer hat cover your ears? For real. All talk and studies on what is or is not on pickup design and construction lack two of the most important considerations especially for players and listeners as we age. When was your last hearing test and what is the spectrum of frequencies you can actually hear? There is as much a chance everybody you are communicating with has the same number of hairs on their heads as the same drop off of high frequencies. Fact The way our brain interprets sounds and vibrations hitting our eardrum is unique to each of us. Suggest you read
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I would prefer more of that curl and less of the dark edges on that burst as well. Don't know what we can't see under the finish though. Fantastic top!!!
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Oh Jenny Jenny!
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It's bling Josh! Reminds me of what dads told us in the 60's and 70's about choosing a muscle car. If you want the big horses, you got to feed them.
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Your builds were stellar, so well thought out and tasty
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Unlike the 60's I can remember the 90's when PRS was either an improvement over a Gibson, a cross between a Fender and a Gibson or the rediscovered secret sauce of the McCarty era due to Ted McCarty offering his insights from 1948 through 1966 at 225 Parsons street. They were built with a flawless finish and had the "10" tops. One could argue that J.P., Moots, Marv Lamb and Jim D. were the craftsman that actually built these golden era guitars and ordered the woods and thus were the secret sauce and we on this forum were/are their cult members. Does the additional cost of a 10 top from the mill equal the additional retail pricing? Does the visual difference justify calling a guitar better or are we talking about a piece of art? What makes a painting hanging in a museum worth more that paint and canvas?
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That would be two or three different questions. Define "better" {Play, Feel, Sound, Looks, Status or ability hold its tuning, not finish crack be perfect from the factory or?} "Hold its value" has been a subject here since the beginning. A Gibson will {almost always} have a higher resale value than a 150 but if it starts at twice the original cost or more do the math. A $15,000 Les Paul could depreciate 33% when you leave the store but it's now worth $10,000 and lost more than the total cost new of a CC150. Looking at the sale price of a used CC150 on this forum (a premium market for Heritage guitars) and a $4,500 CC150 goes for what? $3,000? It lost 33% of its value or $1,500 the cost of an Epiphone. What is the lost investment value of the $10,500 never spent on the Gibson over the period of time until it's sold (if ever) minus the $7,000 more in resale value for the Gibson. Then again, some people pay a premium price for a luxury brand because, they are "worth it"
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The blocks and inlay give it an extra touch of class. More than a touch me thinks!
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Road Trip! Don't forget your pic Take your wallet Report back here
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Considering Heritage's old guard only made a few 12s they most likely did not consider having "capos friendly" added to the ingredients. When I ordered a Prospect with p90's it was obvious they modified the standard humbucker pickup cavity to "FIT" P90s but the lack of rings to adjust height was a compromise. Doubt it made sense to alter the neck set angle and the top curve as that would be considerable.
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What I find unique about the Roy C is the neck joins the body around the 17th fret. Notice the bridge lies high up between the f holes. Assume? More comfortable to play with less of a reach to the nut? Thoughts?
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like the newer headstock don't notice the horn as much until you post back 2 back. Weights?