rockabilly69

Oh yeah, a bad customer service situation can lead to sore apples, but if I had to be limited to one brand of pickups I would say Throbak are the most consistently in line with what I want to hear. The guy just seems to have that low output PAF thing down. I have heard other brands of pickups that get there, but not as consistently as Throbak, especially the SLE101. With Lollar Imperials I thnk the low winds are the closest to what I like. And I'm also a fan of Wolfetone Legends. Speaking of bad customer service, Tyson Tone Lab pickups, especially his Precious and Grace pickups, are also fantastic, BUT, that guy consistently takes forever to get you your pickups, many people have complaints about him and have cancelled orders.

Do be contrarian, I think throbak are consistently one of the best sounding pickups made. They are very similar to OG PAFs in the sense that are microphonic, and if you're going to use a high gain amp, they are going to be touchy. I've had to remove a cover and put a bid a silicone on one coild to tame a bridge pickup. But back in the 70's many people pulled real PAFs out of their guitars for the same reason. But I have never had a Lollar that sounds as good as a Throbak. And I have played way more examples than most people of Imperials and SLE101s. My number one Teye guitar has Imperials in it along with two other Teyes I've owned.

Oh glad you listened, I can hear the The Chain element for sure, and maybe a bit of Black Water. But the musical well that I drink from, especially when playing my National Resonator, is more Chris Whitley. Andt's funny that you say this song has an onimous melody, as today someone told me it sounded sinister. When I wrote this melody I was just singing about the frustration of my situation with my exwife/lover, a dancing girl so to say

I would love to do that, get one right from the source, and have it setup perfectly to my liking while I was there!!! I play alot of acoustic guitar and resonator with my band, and because of that we have to keep our volumes approriate. I posted this in another thread, but in this song I doubled my Martin HD28 with my National M2 reso. Listen to the drums, you can tell that we aren't that loud. We record in my very small studio so anything really loud would overtake the room.

Did you get any sound samples of the app before you delivered it, it looks pretty cool.

Well rock and roll can be unkind, but we keep our stage volume and rehearsal volumes at a totally reasonable volume. Now that nonstop cacophony at Heritage, which doesn't let up, is sure to kill some ear drums! And BTW, my main gig is playing acoustic, and it's funny, I went acoustic so I wouldn't damage my hearing

How the guys that work there avoid hearing damage is beyond me. That is one noisy environment.

Pictures, cause people like pictures... Gotoh 510 standard 18:1 Gotoh Luxury Engraved 510 21:1 Schaller M6 Schaller M6 top locking back view Schaller M6 top locking top view...

I've switched between Gotohs 510s and Schaller M6s, for both aesthetic reasons and for different tuning ratio, 21:1 on the Gotoh 510, and cannot hear a difference. I personally love M6 tuners. I have them on a PRS and 3 Zemaitis guitars. You sure you got genuine M6 tuners, I've never heard of sharp buttons.

Oh my that's a stunner

There are so many good companies that make pedal boards, power supplies, gig bags or hard cases for them etc. It's hard to give advice when we don't know what's floatin' up in your noggin. When I start building a new pedalboard, I think of the job that it is going to do, and then I build to that. I needed a very simple board as a backup for my main acoustic board just in case it goes down, and knowing I was going to use 4 pedals, it wouldn't need to be very big. So I figured I could make one from parts I got at the local home depot. I used some black paint, simple shelving, aluminum from the metal stock, and screws and handles from the fastener section. The only thing that didn't come from home depot was the rubber feet which I already had here. I power it with a one spot to the tuner. And the tuner powers everything wlse from it's convenience 500mv 9 volt DC outlet. It has all the pedals I need for my acoustic guitars that are equipped with magnetic pickups: volume, tuner, EQ, reverb and delay. The beauty of building your own board is that you can make it the exact size you need it. After I built mine, I did a google search and found a company that had a gig back that would fit it.

The Marv Wineburst that Kuz was kind enough to send on to me... And for you blasphemers, here it is with a proper pickguard...

Mark, right there, is why I went solo! I have a band band, and a duet, but I make most of my money as a solo! Good luck with your new drummer, and sorry to hear of your friend's passing.

...good to see things are rolling along. "New Dave" seems like a good fit!

I like 10's on my electrics (except my two banjocasters which use 9's) , 12's on acoustics, 12 or 13's on resos (if it will work without the cone rattling I use 12's). I play so much that anything heavier hurts my hands.

Mark, take this for what it's worth. Most musicians/bands that I go to see are playing too loud on stage, ESPECIALLY rock musicians. Learning to play to the limits of your PA is just as important as getting the songs down. And on top of that, learning how to not kill the audience with excessive volume is just as important. It's the mark of a true amateur when they are turning up their PA, to get over the already TOO LOUD guitar amps. You're on the right track rehearsing with your PA the way you intent to play. Maybe you can stage some practice performances for honest friends who can give you some feedback on the volume levels. I do think it would be a good idea to budget for some powered monitor speakers that you can add to you 600 watt PA. But you have to be very conscious of loud monitoring as the reflected sounds of monitors can wreak havoc on the overal sound! Good luck on the quest.

You've got the band rolling, you know what needs work, in the words of the Beatles, "it's getting better all the time". Keep at it Mark!

If Ed Bickert can do it on one of these I think a H525 should work just fine... http://youtu.be/wQ0FdyxuG4U

Mark, I agree if you've got two guitars a backup amp would be smarter. Yesterday the check engine light came on in my car on the way to the gig. It was just bad gas (too low octane), but I thought, oh no, not another expense:) If it ain't one thing, it's another!!! BTW it's fairly easy to replace post studs, Just google it up and you'll see what I mean!

Mark I have different stuff breaking all the time, and I have important gigs mostly every week! It's just the nature of the business. I like this blog, keep it going!!! And good luck on the gig.