DetroitBlues Posted 3 hours ago Posted 3 hours ago Not sure how many of you remember this, but when Fender rolled out the Mustang series, those amps had a pretty solid following. Cheap, loud, and honestly sounded pretty decent for digital modeling. If I remember right, the Mustang III was the 100-watt 1x12 combo where you could flip through patches for different tones and effects. I’m pretty sure our long-departed brother Rhoadscholar was an early adopter and gigged a Mustang III all the time. Now I’m seeing more and more people running the Boss Katana 100...another 100-watt 1x12 combo. Feels like it’s the next wave of “good enough to gig, won’t cry if it dies” amp tech. Line 6 → Peavey Vypyr → Fender Mustang → Boss Katana… the evolution of cheap “tube-ish tone” amps? Am I missing any stops along the way? (I'm omitting the expensive types such as Fractal, Kemper, and Neural DSP)
kennyv4 Posted 3 hours ago Posted 3 hours ago I like the 100 watt Katana amp. I bought the first generation model and gigged with it for quite a few years with no issues. The amp is worth the money and I recommend buying the control pedal for the amp.
TalismanRich Posted 1 hour ago Posted 1 hour ago I've been going to a local blues bar to see some friends play, and the bar has a backline available. Some nights are jam session nights, others have regular bands. They keep some Boss amps for guitars, and a Hartke bass combo amp. It seems that most guitar players bring along their own amps if it's a working band. For the jams, it seems the Boss works out. The bass players just use the Hartke. I've never played one, though. Years ago I got a Peavey Transformer 112. It's still downstairs. It wasn't bad. I used my Classic 30, but our keyboard player used it for a while since it had rotary emulation which gave it a Leslie sound.
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