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Showing content with the highest reputation on 02/24/26 in Posts

  1. It sounds great but what about the headstock?
    2 points
  2. I was checking out this video from the Howard Stern show of Kate Hudson's band, and her guitarist used a Custom Core for a few songs. On the original song he does some nice fills, and the rhythm on Vasoline sounds good too.
    1 point
  3. 1 point
  4. To me it makes perfect sense for working musicians who don't have an endorsement deal with a major legacy brand to gravitate to Heritage. They need the best tool for their trade. And that's not to say they're looking for a 'knock-off' or 'discount brand'. Heritage of late has greatly improved its QC, build consistency and bang-for-buck value. Professional musicians need the best tool for their trade. It's great to see more and more of them using Heritage guitars.
    1 point
  5. To be candid about this, around a decade ago I really didn't like HRWs, at least in the bridge position in solid bodies. The high frequency output was too sharp to my ears. Eventually I sorted it out. The neck position was always fine. It's odd to me because I've never had an issue with Schallers. I'm pretty sure HRWs were cryo treated. I asked Ren once. He just smiled. In that particular context it would have been easy for him to say something like there's more to the story. He didn't. This conversation occured when I brought in a Johnny Smith with a Floating #3 pickup and asked about getting a tone control added. He did the work while I was there, which took maybe 15-20 minutes. He charged very little, no more than $50.
    1 point
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