TalismanRich

There's nothing inside except air!

CVS, This is mine. I picked this up one night at Brents house. LK155 had it at PSP one year and I really liked the guitar. When it became available, I jumped.

Yes, the 525 IS a nice guitar! It surprises me that it wasn't more popular. I actually preferred it to the 575, which for some, is probably sacrilege.

Did I do that? 😁 For sure, that's a one-of-a-kind! So now he's got to buy ANOTHER guitar!

Here's an old video of them building a semihollow. It appears that the main block is maple. You would want a strong wood, since you need to put your neck joint in there, just like a solid body. Its definitely not mahogany, it's way too light colored. You can see the color difference of the mahogany kerfing below. From what I have read, an ES335 will have a maple block and the filler piece is spruce which is kerfed to bend more easily. If you listen closely, I think that he says they use a basswood insert for the filler section that goes between the top and the block. It's about 3:30 into the video. He also explains about doing floating blocks (top is fixed, back is not).

I tried get in touch with Scott some years back. He had been a DJ in West Virginia. Turns out he passed away in 2020. https://www.leavittfuneralhome.com/obituaries/Dowe-Scott-Fauley-II?obId=14987495

I'm with you about the block inlays. I think they rock!

I guess that deserves a cake too!

So, our group had a tee time at a golf course on the other side of the river, which meant that I paid the toll to get to Indiana. While I was over there, I decided to run by a local shop, Maxwell's House of Music. This is a sister store to Mom's Music which happens to have been started by the drummer of the first band I went to see as an 8th grade graduate. (Ok, enough back story...) My thought was to see if they had a Blues Driver in stock. I would rather support a local store than Guitar Center. Two local shops I check didn't have any in stock. Maxwells had the standard pedal, and the guy was more than happy to plug it up to try. "What do you have for an amp?" He pulls out a Princeton Reverb for me. "What do you play?" That's a bit trickier. I explained that I've got several Heritages with humbuckers but recently got my H-530 with P90s. We walked over to the wall and I pulled this one down from the wall. It was a choice between this ES-330 and a 335 next to it. It was a very nice guitar, but was it nicer than my 530? Nah! It does have some nice grain. Other than the block inlays, there's wasn't any real advantage. They played very much alike. I still don't like the plug on the front rather than the rim. At $3500, it was priced between the Custom Core and the standard. A fellow about my age was picking up a white Tele and he and I jammed a bit on some blues. He said he's still got his father's original '64 ES-345. In the end, I left with a Blues Driver. I'll be pulling out the pedal board later today and cranking it up.

Lets see..... I had an original Fuzz Face. Got stolen around '72. I didn't think it was great, but it was one of the few pedals that you had back then. You didn't have 247 different fuzz pedals! Replaced it with a Jordan Boss Tone that plugged into the front of the Jaguar. Great for doing Satisfaction and Inna Gadda Da Vita. I eventully traded that for an EEPROM burner many years later. The knobs were broken where the whammy bar would swing around and hit the plastic. I covered it up later with a piece of Erector set with electrical tape on it to protect it. Got a Fender Blender. Very fizzy. It did fuzz and octave. I don't know where that pedal went. I probably left it at the bass players house. All told those 3 would probably fetch you 2 or 3 grand today. At the time, I was out about $100 total. Pedals back then were much cheaper! Most of the time, I simply turned my Guild Thunderbird amp to 10 and if you toggled the 3 way tone switch between two settings, it was almost like doing the jumper on a Marshall. The amp was only about 35 watts, so it would really distort when full up. Today, I don't use fuzz, I prefer the OD. Klon style and Tube Screamer have been my mainstays, although I really like the Blues Driver that Pete Farmer lent me at PSP. It wasn't so midrangy like a TS. Haven't bought one yet but it will happen. I haven't decided if I'll get the standard or WazaCraft model. I have a Soul Food, but I replaced it with a NotaKlon. It sounded smoother to me, and was less noisy. My preference is for a smoother, creamy overdrive, not a harsh biting sound. I like the sustain for soloing.

Glad to see you're still out there playing gigs. I agree completely. You can cover most all bases with the 535. I've heard you play that 535 enough at PSP to know that it's a killer. It's good that it's still in your arsenal, even if it is "on loan". Your band must have been playing REALLY LOUD if you coudn't play without feeding back. On the other hand, it's perfect to get the acoustic feedback going when you want to sustain a note infinitely! Turn away and it should go back to normal.

A friend's band plays down at a local blues bar, and the venue has amps for the bass and guitar, along with the drum set. The guitar amp is a Katana, and most bands just plug in and go. Guitar players bring their pedal boards of course.

I don't know if simply buffing would have fixed it, but the advantage of nitro is that it could have been resprayed with clear and then buffed out. I don't know that Heritage would do it but Arnie Hileski or Dave Teske might have been able to do it.

No worries.. As you know, it's always so easy to work on the electrics of a semi hollow guitar. 😕 When I was working on my 535, somehow the lead from a tone cap broke off. Turn the knob and ... nothing changes. So it's pull the harness out and do it all again.

Sorry to hear this. RIP LedZef.

We'll have two drummers available. It's at one drummer's house. But, it you want to drive up and be here tomorrow around noon, feel free. I might even buy you a Reuben at Shenanigans!

I'm getting together with 3 other guys to play some tunes on Tuesday. I've been using the 535, but this week, the new H-530 will make it's debut. I did a couple minor tweaks a week ago, and it's playing nicely and seems to have settled in. I think the wood just needed to stabilize to it's environment. I ordered a Joyo wireless set a week and a half ago. I figured that this Tuesday would be a good test. The post office seems to have lost it. It made it to our distribution center in 1 day from Cincinnati and then nothing for a week. I filed a lost package report and they can't find it. Then the tracking says it will deliver Monday, only 9 days late! I should have just had my daughter order it on her Amazon Prime and it would have been here 10 days ago!

That's why you got the Fender ToneMaster Deluxe, right? 🤣

After playing through that one, I'm tempted to replace my old TS-9 Tube Screamer. I listened to a few comparisons of the Blues Driver vs Tube Screamer, and I think the Boss is more the sound I am looking for.

An update.... after letting things settle down, I've done a bit of setup work. A 1/4 turn tighter on the truss rod, and some adjusting on the bridge and it's playing nicely. 5/64 for the low E string, about a business card worth of relief around the 8th fret. It's much closer to my 535 now in feel. RE: the sound. I'm actually surprised it's darker/deeper sounding that the 525, even though they both are maple and have Lollar P90s. I brought the poles up on the G B and E of the neck pickup and took the low E down a bit. Sound is more balanced between strings now. It rings very well. And just like the 525, if you have the amp up a bit, you can get it to howl on a nice A or D string! Eternal sustain!

Yes, hollow (notice the trapeze tailpiece) and P90s.

I don't need to! FedEx said that it was scheduled between 12:40 and 2:40. I got to the doctors office a bit early, and got in right away. I was out and home by 1:20. The truck showed up at 2:08, so it all worked out. I gave it a couple of hours to cool down from the FedEx truck (it was almost 90 around 1:00). I've tuned it up and made a slight adjustment because the low E was buzzing from fret 5 to about 12. Give it a day or two at tension, and I'll check the relief and set the final action. The rest of the strings were fine. I gave it a quick workout with some Sultans of Swing and Come On Part 1. So far, so good. It's a nice weight, and well balanced.

And the waiting begins.....

There's a cool little blue pedal that you can plug into and get a really nice "woman tone". Pete Farmer loaned me his pedal for PSP.