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They get a whole lot more "buyer awareness" from someone like Sweetwater having a dozen guitars available on their website. The biggest comment that I used to hear (after "never heard of them") is "I don't know where I can buy one". Their social media posts have to be helping a lot too. People search out stuff that they hear about. We're more "word of mouth" types, and "here, give this a try" people.

That version of the tailpiece and bridge was made by Schaller of Germany. They still sell the roller bridge, but I don't think the tailpiece is a current item. Thomann is a Schaller dealer. https://schaller.info/en/bridges/ If you want to change the style to a more common bridge and tailpiece, many people here swear by the Faber units. The trick it to make sure that you use the correct spacing.

It just became stable when i screw down the pole piece straight to the bottom end.... It still has the pinnacle API locking on the abr1 bridge Am not sure if i do want to try fixing it with a wooden dowel and retap the threads.... so far the pole piece are stable as solid being screwed down to the bottom end...

Hi. I am thinking about replacing the bridge and tailpiece on my H157. Does anyone know which make these are and where can I get replacements? (UK based if that matters)

555 classic’s usually had three piece necks and shipped with Seth lover pickups.

If the pickup has 2 height adjustment screws in the pickup ring on both sides of the pickup instead of just 1 adjustment screw on each side they are probably HRWs.

"makes my big toe shoot up inside my boot!' To paraphrase Little Richard

Suggest using an additional thumb screw to lock it to the top to prevent more rocking that could gubber the threads. Rocking torque will mess up your intonation. Best solution, replace both screws with a Faber steel studs and bridge and lock it down tight.

Hi peeps am concern about slight wobble on my H150CC bridge pole piece as i actually took out and back a few times now i realised even with the pole piece insert 2/4 (estimate) in length it wobbles abit as i gently rock the pole piece unlike the other side it was hard solid... So much that i have to to screw the pole piece till the end and its rock solid.... would there be a concern as i think the intial few thread on the body perhaps has worn... but visual check from the surface of the hole still look ok not enlarged thou lol.... Is this normal due to engineering factor when they taper the screw holes for the pole piece ?

That means it left the factory with HRWs usually. I've put HRWs into guitars and had the switch tips drilled and and sidemarker dot glued in, which is what Heritage did in the factory. Bob is right that the dot is a good indicator.

I've never heard a set of the '59s that I really liked. But I have had some good luck with the Seth Lovers and Dimarzio 36th Anniversarys. 36th Anniversaries are what the higher Zemaitis reissues shipped with, so I have had mulitiple sets, and I left them in two of my Zemaitis guitars and they are getting the job done. I swapped out the original Pearly Gates pickups that my newer H150 had in it, for some some Seths and I liked the Seths much better. I later swapped the Seths for a set of Duncan Custom Shop non potted Peter Green pickups (without the reversed magnets), and they sound great! But the best sounding low gain PAFs I've heard from Duncan is the lowly Jazz pickup which most people just use in the neck, I loved the Jazz bridge pickup, I got some killer tones out it with my Marshall amp...

I am assuming that even though the tuner is covering the brand, it looks like an H-530. This guy gets a nice smooth tone on those P-90s.

I owned the brown one w/gold hardware on the right, back in 2015.

Black dot on the switch tip.

Honestly, the P90 is one of my favorite pickup sounds. Just wish there wasn't the hum. I know that they have all these "hum free" versions, but they are never quite the same. Then there's the staple top, which I have unfortunately not gotten a chance to really own. I have a Jazzmaster, and also like the sound of those pickups, but again, wish there wasn't so much hum. My favorite humbucker pickups are always the vintage style ones with lower output. Yes, they don't push the amps as hard, but they just have a type of snarl that the higher output pickups lack. I'm fine with SD '59s, Seth Lovers, or Dimarzio 36th Anniversary PAFs. While I admit the high end PAF style pickups are enticing, I feel the law of diminishing returns is definitely in effect.

Man those do look nice. Wish I was in the market! Only so much room in the stable, and after playing my H150CM last, I don't see anything ever replacing it. Still, those are NICE.

Not much as they used to. HOC is miniscule to what social media like Facebook, Instagram, and YouTube influencers do these days.

I wonder how much free publicity and advertising they get from the existence of HOC.

Well, one thing is that they do sound different than the Schallers they once were. It's hard to put that difference into words. The bridge pickup seems brighter. You can get a dental mirror for a few bucks if you don't want to pull the pickup. The truth is that it is faster to loosen the strings and look for the sticker on the back than it is to get a mirror and futz around with it and a flashlight. I recommend getting a fiberoptic scope. It comes in handy for all sorts of things. https://www.amazon.com/Endoscope-Borescope-Semi-Rigid-Smartphones-KEEMIKA/dp/B0F2PQTT1G/ref=sxin_16_pa_sp_search_thematic_sspa?content-id=amzn1.sym.2da95b6c-f59a-4699-bc43-d0ff036c6388%3Aamzn1.sym.2da95b6c-f59a-4699-bc43-d0ff036c6388&cv_ct_cx=Fiber%2BOptic%2BEndoscope&keywords=Fiber%2BOptic%2BEndoscope&pd_rd_i=B0F2PQTT1G&pd_rd_r=ebd8a8ea-c575-4304-8839-bbacb633b3ed&pd_rd_w=t4eyH&pd_rd_wg=jWuCz&pf_rd_p=2da95b6c-f59a-4699-bc43-d0ff036c6388&pf_rd_r=YFHZAEV3BGXF2SCBWR0E&qid=1749560793&sbo=RZvfv%2F%2FHxDF%2BO5021pAnSA%3D%3D&sr=1-4-6024b2a3-78e4-4fed-8fed-e1613be3bcce-spons&sp_csd=d2lkZ2V0TmFtZT1zcF9zZWFyY2hfdGhlbWF0aWM&th=1

5 years ago, when I convinced Heritage to do the HOC Guitar, I had originally suggested a H140, they had already sold off the templates. I even talked about my H140 from 1985 to be the template of either an Anniversary model or a HOC guitar. My 140 was not a typical model, it had a bound ebony fretboard with mini-block inlays, inlaid "the Heritage" headstock, one piece flame maple top, and a belly carve. Between sourcing one-piece tops, one-off building of the fretboards, and the lack of templates, it would have been too cost prohibited to even bring up.

I share the same opinion... and it should have come with a famous 59s neck profile and a consistent 5A quilt

Looking forward to hearing this combination. Heritage Guitars Favorites · 1h · Tone that truly inspires. The Custom Shop 40th Anniversary Edition 225 Classic Humbuckers are the very heart of our 40th Anniversary H-150 and H-555 models. Meticulously wound right here in-house with Alnico 5 (neck) and Alnico 2 (bridge) magnets, they deliver incredible note separation and dynamic response you have to hear to believe.

Thanks, in fact, the certificate is signed by Wolfe. Do you know is there anyway to determine if it has HRW pups without looking at the back of the pup?

I liked Monsters too. Nice playing!

My recollection about the classics is that these were ordered by Jay Wolfe and had Gibson-like bridges and tailpieces. I also think they had SD pickups. The maple neck was common back then but inconsistently done. I've had a one piece, two piece, and three piece on H-555s made in that era. Custom select could mean anything, but the select probably refers to the woods. They probably charged extra money for each of those two words. Currently those words are custom core.