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I don't own either of these models, but, speculating based on what I know and from the pics, the neck meets the body (on the non-cutaway side) at different points. Maybe this is because the Roy Clark is essentially a 535 (semi) but with one cutaway instead of two, and the neck slots into the solid central block, and the 576 is constructed like a full hollow but with a block under the bridge, like a 550. --in other words, I basically agree with Talishman Rich's post above. I don't think the 576 has a full through-body block. On the 550, it's actually more like a plate into which the bridge is mounted, but not sure if the 576 is exaxtly the same.

On the 576 the bridge aligns with the diamond shape in the middle of the f hole while on the Roy the tail piece aligns with the middle of the diamond. So is the body longer?

This is my Roy Clark. It's the size of a 535 with a deep single cutaway and a bit more bling.

How does it compare to a Roy Clark?

Shundog and I put orders for our KPB tweed deluxe amps within days of each other. His was built first followed by mine. I still have mine, it’s amazing

The 576 is way cooler than a 525

Sell it to me

5E3 amps are great, one of my favorites, I've always liked the Fender tweed amps the best. When they grind they are glorious, But be aware for stage use they don't have a lot of clean headroom, and if your drummer is a hard hitter a 5E3 may not have enough clean tone on tap. Some samples of my Clark 5E3 from clean to dirty, the last sample I am using an Origin Effects Revival Drive...

Many years ago, there was a time in which Mr. Tweed himself, KBP810 built numerous Fender models. Many were all over the 5F1 (Champ), 5E3 (Deluxe), and the most popular AA763 (Deluxe Reverb). A few Bassmans and Dumble clones are out there. I had a really cool 40w version of a Princeton, but due to my personal situation last year, I was forced to sell. Looking back, it was highly unnecessary. I could use that amp today. So, I have been looking into a 5E3 amp. Found a kit for $200 (no transformer or tubes) but I think I have ability to make one with minimal investment. I've been pondering it more and more, but still uncertain.

Mine must have been ordered with upgrades or someone upgraded it. It has gold bridge, tuners, switches, etc. When I got it the owner had put alunitone pick ups in it. They really did not sound good and looked even stranger on a traditional looking guitar. I put a pair of Dimarzio Anniversay humbuckers in it and it sounds really warm. I don't use it much and am thinking about selling it. But I am not sure I want to part with it as it is so cool.

I've been looking for a couple other Peavey Transtube variants. Kinda hard to find though. There is a Rage 158, but being in a little 1x8 cabinet, it probably doesn't sound too great. I do wonder if it was put into a larger cab, it might sound better.

The 576 is semihollow, laminate top and back with solid rims. Here's the spec from the '89 catalog. I have the H525 which is thinner, laminate like the 576 but fully hollow and with P90s. It's a bit like a smaller version of the 550 to my thinking. 16" vs 17", 24.75 vs 25.5 scale, both semihollow, so you should have a center block. 2 3/4" thick vs 2 7/8" It's not shown in the 2005 catalog that I have. It was shown in the '93 catalog.

I have a jazz gig on Friday and jazz is not my forte. I can get around but there are no keys ....percussion, bass, violin and me. I pulled out my H-576 and as I had not played it in like 4 years, I forgot what a cool guitar it is. I guess it is like a 575 with a Venetian cutaway and gold tuners, bridge, etc. lots of blingy stuff. it also seems to have a center block. I'm not sure if the 575 is fully hollow or blocked. It really sounds beautiful....warm and full and jazzy. And it is really nice to look at. Anyway, does anyone have any info on these guys? how many were made? mine is an H seriel number which means 1992. I don't know how long they were made. Does anyone else have one or am I alone in the universe with mine?

Yay!

Likewise my silver strip Peaveys

Abalone blocks are my all time favorite also...

WOW!!!! I love my 157s!!!

A pair of tuxedos! Very nice. I love the look of the 157. It was my choice when I ordered my first Heritage over 20 years ago.

Welcome aboard. Love the guitars and the special pickups!

Resistance would be futile

And THAT is how you introduce yourself. i adore the 157s. Love the fawn. Welcome, you will be assimilated.

I've had a few guitars that came with HRWs. Archtops with a single pickup sounded great. The bridge pickup being a HRW was too bright for me. I tried but couldn't come to terms with that. Many had a positive experience though.

My favorite Heritage inlays are the abalone blocks. I haven't seen an example come out of the factory for a very long time. The H-555 inlays are less than subtle. The design came from the same guys who produced the controversial headstock. Both have grown on me. I don't even notice. If I do, it's part of old Heritage's personality, and I smile.

The H-157 3 pickups guitar has H.R.W.s and it is a 2002. The 2 pickups H-157 is a 1999 with the Schaller golden 50s.