Leaderboard

A friend of mine bought a natural 575 from a Guitar Center years ago. When he got it, he found some neck issue that could not be corrected by adjustment. He took it to the legendary Aaron Cowles, who was doing some upscale work for Heritage at the time. Aaron told him the neck needs replacement. I don't recall the details. Aaron did the replacement. Here's an interview with Aaron. https://scholarworks.wmich.edu/gibson-guitar-oral-histories/1/ Aaron died quite a few years ago. I ended up hanging on to the guitar for my friend but didn't play it. Yesterday he sold it to me without ever taking it to his home. If you are feeling sorry for him, consider he has more guitars than anyone else I know. So this is has Schallers. I scoped the innards. It's parallel braced (not all are). Aaron made the neck and but a plain ebony board on it. It's a 3 piece maple. The only piece he got from Heritage is the headstock overlay. My friend requested a five piece neck but Aaron recommended a 3 piece. Aaron fretted it. There are no nibs. That's true with other Aaron builds. Aaron was one of the best of the Kalamazoo luthiers yet a simple man to understand. He always had his pistol handy in shop. He charged very little for his hard work. His humble presentation contradicted his master skills at making guitars and mandolins. The guitar plays well. The neck is to me a medium C carve, maybe a medium plus. It sounds good.

the Millie i bought from Brent showed up last night. Haven’t had a lot of time with it yet, but man oh man this is a great guitar! Brent comes through again! Minty fresh, like it has been played very little. Tuners still feel new. Sounds more like a semi-hollow because of the chambered body, which is exactly what i was looking for. No feedback issues but still a big and round enough sound for jazz, soulful blues, R/B, and fusion. My band has been getting loud and my archtops often feedback. I guess I’ll be one of those players that switches guitars depending on the song. Yes, overkill for the kinds of gigs we get, but it will give me more flexibility to get funky or louder jamming and use some drive/breakup when the moment calls for it. Just plain FUN. I’ve been playing straight ahead for so long I’m ready to get down and dirty before i get too old. I’ll post some pictures over the weekend, but they probably wont be as good as Brent’s. It really is as gorgeous in person as it is in the photos in his for sale post. Thank you @brentrocks for the great transaction and fast shipping, well packed as always. I also got it a friend: a UA Enigmatic ‘82 pedal. They make a great pair.

Yep, Will, I do love a precision-made and tension-adjustable 'Six-finger tailpiece'. I put one on the BlueBurst H575 you sold me many years ago...😉

Just bought a used one on Reverb . I need to stop looking at these posts. Costs me a lot of money. will report back. I got it to go with my new Millie courtesy of world renowned Brent’s Emporium. Arrives tomorrow.

Josh, I think JeffB's comments refers to some posts our friend Will (ElNumero) made several years ago about scoring a job as a gate guard at a retirement home in Florida. Or something like that.

My 13 year old grandson now owns it. He is a dedicated guitarist. He's likely going to be 5'5" as an adult. He currently has a large guitar, which is hard for him to play. I gave it to him last year. He's swapping an 18" Gretsch for the 575. https://www.flickr.com/photos/151972168@N02/albums/72157718796977248/

The secret remains.

A common sight for the hot chicks... Missing the G-String

Maybe a six finger tailpiece in chrome would work...?

I'm still setting it up. It was down-tuned for a very long time and a string was missing. I didn't see it before it was renecked, but the first neck was mahogany. Few of us had the good fortune of meeting Aaron Cowles, a master craftsman of the highest order yet very pragmatic. That was the description also of the original Heritage owners. The H-575 is a jazz workhorse. I took video lessons from Mimi Fox and Alex Skolnick years ago, two extraordinary players both using the H-575. It does the job well and is sturdy. Unlike thin topped spruce jazz boxes, this is built for amplification and to take it. (As an aside, here's a fabulous rock solo by Alex that brought tears to the audience.) https://www.youtube.com/watch?v=X07ssteuM8o&t=245s Here's what I don't like: the tailpiece. It functions, but you have to learn how to keep the string ball in it. Previously I had the ball slots deepened in another guitar. If someone knows an easy swap out for the tailpiece that is more solid and secure, please let me know. Bigsbys need not apply.

I used to know people that would take a certain drug and stay up late writing things that didn't make sense.

That's some lovely lumber. I love the neck, but I would absolutely need inlays on the fretboard!

I don't know if this previously was posted. https://www.youtube.com/watch?v=XXCAKNkDvL0 At 3:00 exactly you'll see Ren Wall's dad with a guitar. This is Rem Wall, a local country legend with a great voice.

Sadly, he went from gate guard at the retirement home to resident at the retirement home.

Please don’t harvest your HRW’s. If it came from Parsons that way, keep it as such. Thank you 🫵🤣🎸