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OGD: Old Heritages


MartyGrass

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I'm posting these photos because this is the first day I could bring these guitars out in the sun to properly capture them.

 

The next one is another Millennium Eagle 2000 chestnut sunburst. This one is from 2000. It recently got Fralin P92s put in it.

 

 

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Last one. This is a 1992 Johnny Smith with the ultra wood package and tap tuning. These are its first outdoor shots.

 

That's all I got.

 

Get your guitars out in the sunshine and show off their gorgeous woods and finishes!

 

 

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Amazing photos of fantastic instruments!!

 

I'm with Pressure...I too love the Johnny Smith!!

 

Where is your Golden Eagle Florentine? Now THAT is my favorite of your instruments!!!!!!!!!!

 

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That one got its glam shots a long time ago.

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Incredible photos or incredible guitars!

 

No sunshine for outdoor guitar poses here today

 

I've heard those H tailpieces on the Milli's are real tonesuckers though - you should replace at least one of those ASAP (and send it my way ;) )

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are those two millies the same color?

 

 

Both are called chestnut sunburst. They are decidedly different despite what their labels say. These pictures were taken the same day at the same spot with the same camera settings.

 

 

 

P1010002.jpg?t=1344718479P1010016.jpg?t=1344718261

 

 

The third one is a H157 that's on its way that is also labeled a CSB. It looks like it snuck into the port wine.

 

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The last is a Thornton Improv that is a chestnut sunburst.

 

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Finally, here's a pic of a real sweet chestnut. You can decide which finish resembles it.

 

 

738px-Castanea_sativa_-_Sweet_chestnut.jpg

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I've heard those H tailpieces on the Milli's are real tonesuckers though - you should replace at least one of those ASAP (and send it my way ;) )

 

Tone seems to be holding up okay. I'll let you know if it gets sucked away though.

 

The tailpiece does do a couple of nice things. It reduces the break angle, which reduces the work of fretting and makes bends easier with heavier strings. It also can be whacked to create a vibrato effect much like bending the neck but probably easier and safer.

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Tone seems to be holding up okay. I'll let you know if it gets sucked away though.

 

The tailpiece does do a couple of nice things. It reduces the break angle, which reduces the work of fretting and makes bends easier with heavier strings. It also can be whacked to create a vibrato effect much like bending the neck but probably easier and safer.

Only said in jest, not sure if you had seen my WTB post but I was looking for an H tailpiece

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The tailpiece does do a couple of nice things. It reduces the break angle, which reduces the work of fretting and makes bends easier with heavier strings. It also can be whacked to create a vibrato effect much like bending the neck but probably easier and safer.

 

I've seen Ted Nugent push on the tail piece of his Byrdland guitars like that to improvise a tremolo bar but I'm also wondering if a luthier would yell at me for doing that or not. I'd like to find out authoritatively if it is hard on the guitar to do that or if it is perfectly safe to do.

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I've seen Ted Nugent push on the tail piece of his Byrdland guitars like that to improvise a tremolo bar but I'm also wondering if a luthier would yell at me for doing that or not. I'd like to find out authoritatively if it is hard on the guitar to do that or if it is perfectly safe to do.

 

It's safe. It puts extra string pressure on the top but not as much as stringing the guitar with 13s. The vibrato effect is only about an eighth tone, not a dive bomber. Also, the Millie has a center block that the bridge is mounted on.

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I like the showcasing of the Chestnut Sunburst and seeing all the subtle differences. I recently aquired an Eagle Classic in Chestnut Sunburst and it has become my favorite shade for a burst guitar. Nice collection there Mark. I am intrigued by that 576. Don't see too many of those around.

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