brentrocks Posted yesterday at 07:11 PM Posted yesterday at 07:11 PM I found this on Reefeeverb. The Heritage H525 is a full hollow thin line guitar with a Florentine cutaway. Maple Laminate top and back with a solid maple rim. Mahogany neck with a rosewood fretboard. 2 Lollar dog ear P90s. The H525 is loosely based off of the vintage Gibson ES125. These H525s RARELY come up for sale. But this one was dramatically different. The body was finished in a matte black. Originally is was a VSB (vintage sunburst) kind of a light tangerine burst. The H525s had a cult following among Heritage enthusiasts. But not many were ever made. When I first saw it, I wasn’t a fan of the refin. But after stalking the ad for a couple of days, I decided to pull the trigger. I figured, worst case scenario, I could always get the top refinished at some point if I don’t like it. But it’s actually pretty cool. The seller also upgraded the bridge to a Faber ABR1. I believe everything else is stock. He currently has it setup for 11s. I will be putting 9s on it, so there will be some extensive setup work to be done. I had one of these 525s many years ago and they are such a joy to play. Lightweight and full of warm creamy goodness!!! This is a pic from the seller. I will have pics and a full report after setup. 4
brentrocks Posted yesterday at 07:17 PM Author Posted yesterday at 07:17 PM It’s at the neighbors house. Lol. I’m still at work.
TalismanRich Posted yesterday at 07:52 PM Posted yesterday at 07:52 PM Yes, the 525 IS a nice guitar! It surprises me that it wasn't more popular. I actually preferred it to the 575, which for some, is probably sacrilege. 1
Gitfiddler Posted yesterday at 07:59 PM Posted yesterday at 07:59 PM Awesome score, Brent! H525's are my all time favorite Heritage model. 1
CVS Posted yesterday at 08:07 PM Posted yesterday at 08:07 PM Congrats & enjoy - 1st time I have seen one of these. I will be on the lookout.....
TalismanRich Posted yesterday at 08:39 PM Posted yesterday at 08:39 PM CVS, This is mine. I picked this up one night at Brents house. LK155 had it at PSP one year and I really liked the guitar. When it became available, I jumped. 3
skydog52 Posted yesterday at 08:50 PM Posted yesterday at 08:50 PM Congrats. I still have the one you sold me. Love it! 3
29er Posted 23 hours ago Posted 23 hours ago I've had this model on my mind ever since I bought my H-530 and wonder how the tone compares to the 530? The body depth is a bit more than a 530 so I assume it would be a bit warmer than a 530. Can anyone confirm or shoot down my thoughts. Oh, and congrats on the NUGD!
bolero Posted 21 hours ago Posted 21 hours ago I remember talking to Bill Paige about them, it must have been when they first came out: I was telling him about my Gibson ES-135 & saying they should make a thinner H-575 style, as it is more manageable to play & doesn't feed back so easily Bill said " have you heard about our H-525? " and pointed to one on a rack Well there ya go!! Congrats Brent, that looks really nice! 1
TalismanRich Posted 18 hours ago Posted 18 hours ago 2 hours ago, bolero said: btw do they have a centerblock at all? There's nothing inside except air! 2
Steiner Posted 8 hours ago Posted 8 hours ago 10 hours ago, TalismanRich said: There's nothing inside except air! And the center block with which they attach the fixed bridge.
DetroitBlues Posted 7 hours ago Posted 7 hours ago That's a beauty! I rather like the satin look, gives it a rather vintage vibe. Congrats!
brentrocks Posted 7 hours ago Author Posted 7 hours ago (edited) I’m thinking about having a Silverburst finish shot on just the top and then leaving the back and the rim satin black. To match my 157 custom core. Edited 7 hours ago by brentrocks
golferwave Posted 2 hours ago Posted 2 hours ago Great find Brent! Who do you use now for finish work?
TalismanRich Posted 1 hour ago Posted 1 hour ago 6 hours ago, Steiner said: And the center block with which they attach the fixed bridge. If you check mine, it doesn't have a fixed bridge! 1
Agencyirory Posted 1 hour ago Posted 1 hour ago As the music industry evolves and new technologies emerge, are we losing the essence of what makes our instruments special? How do we balance innovation with the heritage that defines our craft? What do you think is the true cost of chasing trends in our art?
brentrocks Posted 52 minutes ago Author Posted 52 minutes ago 1 hour ago, golferwave said: Great find Brent! Who do you use now for finish work? Thanks Scott!! My go to guy is Dave Teski. One of the finish guys at Heritage
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