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Heritage Owners Club

Was there a Gibson equivalent to the Prospect?


brentrocks

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The ES-339 and ES-336 are similar in the basic execution of the concept of a smaller version of a semihollow. But the dimensions are slightly different.. Theirs tend to be very slightly thicker , longer, and wider.. not by much.

 

The big difference is the floating block ( and Heritage craftsmanship ) .. which is a feature that I'm really sold on. I was lucky enough to have Marv walk me through the process at the last PSP. He demonstrated the construction with the raw materials ready to assemble at the plant, explaining the difference in a floating and a semi-hollow .

 

The other Gibson that resembles the Prospect is the Midtown model. But it is actually very different... It is a solidbody with a large chamber made in the general shape of the 335. By using a solidbody that is computer routed they save a ton of time vs the usual semi-hollow/ hollow method used, so it is a well priced instrument. But it is very different.

 

As to who was first... I'd have to research that. .. and I'm not sure that Gibson does any floating block versions...

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... There are also versions from the custom shop .. CS-336 / CS-356. These may have different dimensions than the regular ES versions.

 

Strange that while many details are posted on Gibsons site, they leave out the body dimensions on the ES versions on the page I visited.

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The other Gibson that resembles the Prospect is the Midtown model. But it is actually very different... It is a solidbody with a large chamber made in the general shape of the 335. By using a solidbody that is computer routed they save a ton of time vs the usual semi-hollow/ hollow method used, so it is a well priced instrument. But it is very different.

 

As to who was first... I'd have to research that. .. and I'm not sure that Gibson does any floating block versions...

 

Isn't that also the approach of the Gibson Vegas? Basically a HEAVILY routed solid mahogany body with a maple cap. As opposed to a weight relieved LP, which has multiple small chambers, they carve out one massive chamber, leaving meat for the p'ups and the stoptail, then slap a cap with F-holes on it. More similar to the Millie than a semi-hollow, it seems to me.

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Gibson-ES-339.jpg Here are examples of an ES-339

Wiki shows ES-339 started in 2007 ... the ES-336 was introduced in 1996 .... But the Prospect is a bit of a different shape ( I like better ) and again a floating block. It looks like the CS series were chambered mahogany back.

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The story I heard was Jim and Marv came up with each. I forget which for each.

They named them after Prospect and Academy St. in Kalamazoo.

https://www.google.com/maps/place/Prospect+St,+Kalamazoo+Charter+Township,+MI+49006/@42.2925963,-85.6036912,17z/data=!4m2!3m1!1s0x881777e11a3f015f:0xb4ab9191a86923db

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Simple answer to the original question, to the best of my knowledge, is no. But, Gibson did make small thinlines as 3/4 scale guitars, during the 50s and 60s: this is a es140T --a 3/4 size guitar. Not exactly a scaled down 335, but a small thinline hollowbody.

es140-1.jpg

 

The Kay Jazz II was a 15" double cut hollowbody, from at least the early 60s. These are now being reissued.

 

And, although hollowed-out rather than thinline construction, and single cut, there were also the Guild M-65 and M-75 Aristocrat style guitars, originally made as 3/4 guitars but then offered with full scale necks. I've always wondered if Duerloo's time at Guild might have influenced Heritage's move towards smaller hollowbodies or chambered-bodied guitars. These were the first small, hollow-type guitars I encountered.

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Simple answer to the original question, to the best of my knowledge, is no. But, Gibson did make small thinlines as 3/4 scale guitars, during the 50s and 60s: this is a es140T --a 3/4 size guitar. Not exactly a scaled down 335, but a small thinline hollowbody.

es140-1.jpg

 

The Kay Jazz II was a 15" double cut hollowbody, from at least the early 60s. These are now being reissued.

 

And, although hollowed-out rather than thinline construction, and single cut, there were also the Guild M-65 and M-75 Aristocrat style guitars, originally made as 3/4 guitars but then offered with full scale necks. I've always wondered if Duerloo's time at Guild might have influenced Heritage's move towards smaller hollowbodies or chambered-bodied guitars. These were the first small, hollow-type guitars I encountered.

 

cool info, thx!!

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  • 3 weeks later...

Was Ibanez the first with the concept of a small bodied semi? I have an AM50 which was made in 1983.

I believe you are correct. Some of them are labled Greco too. I recently sold a 1982 Ibanez AS-50 which is slightly bigger body than your guitar, but still smaller than a Gibby 335.

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The main difference between the Prospect and all of the examples given above is the FLOATING BLOCK of the Prospect.

 

All of the other comparisons have variations of either full hollow or semi-hollow designs. Guitars like the Ibanez AM series and Gibson 336/356 have a hollowed out mahogany solid core body.

 

The only Gibson I know of with a floating block like the Prospect is the Howard Robers Fusion.

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