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Showing content with the highest reputation since 03/18/24 in all areas

  1. 8 points
  2. Since it’s Friday again,
    6 points
  3. How fitting that this is right under Kuz’s pic..
    5 points
  4. Just picked this up from Nick Hall. Looking forward to hearing those P Ralis! And the 'Heritage' of this guitar is impressive too. I'm surprised no one snapped it up before I did. I'm glad I have another Heritage H150 in the fold. It's been years! 😎
    4 points
  5. Happy 'Flametop Friday'!
    4 points
  6. And here is my all time favorite guitar.... my H170 with a C serial number. It's not my go to guitar, but my favorite. I got this one and the afore H140cm at the same time back when nobody really cared about Heritage guitars except maybe you folks. There were in a mom and pop store. I traded a Greco Les Paul copy (which was actually pretty cool....) and $400 for both of them. Both sound great but there is something about the H170....feel and sound. I did take out the Schallers and put in some Dimarzio PAFs, probably anniversay series or something. Maye the 140 has Seth Lover's....I can't remember nor do I care as they both sound so great.
    4 points
  7. 4 points
  8. About 10 years ago I bought this guitar from someone in Ohio. He wasn't a player, but a friend of his recommended he invest in a couple of new guitars at a guitar show in Cincinatti, if I recall right. This is a Heritage Johnny Smith with an 18" body. I'd like to tell you a good reason I sold it the next year. I think it was a matter of money. I'm not sure. I sold it to a great guy and a forum member. Later he bought a couple of other Heritages from me. Fortunately for me, he agreed to sell the HJS back. There were two 18" HJS made AFAIK. Both were in Cincinatti. Don Dean, of Scotty Moore and Elvis fame, ended up with one. That one is a natural and is 3 1/4" deep. The incoming is the traditional 3" deep. The natural finish one was owned by a friend of mine who had the Floating #3 pickup rebuilt by Kent Armstrong, making it a little hotter. You can hear a difference. https://www.youtube.com/watch?v=lsM3VeXzpVw This is the incoming sister of the natural. It's a rose natural and has the standard Floating #3, which to me sounds warmer. I'm excited!
    3 points
  9. Found another. A trans black H150 I got off Brent. Thanks again! Hard to see unless the lighting is bright enough: the black hides the flame. Which is kinda cool in a stealth way. That's a one piece top too.
    3 points
  10. Other than my 80s 357, my oldest is a "J" serial H150 I think. Don't have a lot of gtr pics but here's an old one.
    3 points
  11. It's not Friday, but I'll put this up anyway....
    3 points
  12. To bring back some classics? How about the H-357, Stat and H-140? It gets a little boring seeing the same shapes coming out of Kalamazoo. This is just my personal opinion but I feel that if you have seen one of these current H-150's, you have seen them all. They say that variety is the spice of life. Please Heritage, bring back some spice. y2kc
    2 points
  13. I don't know about going back to the old business model. It may have something to do with actually making a profit (silly concept, I know). I'm not privy to the financial status of the old company, but I had heard several times that things were indeed often on a "shoestring budget". There were times that I wondered if the owners even paid themselves. It seemed to be more a labor of love. This isn't Jim and Marv building a few guitars. I'm sure that they make a lot more guitars today than they did 15 years ago. Sweetwater alone has 65 guitars listed. CME has 22 listed. Jay Wolfe has 25. That's just 3 dealers. You didn't really see those numbers years ago. Have you visited the factory? The "big money" helped pay for a new dust collection system that makes the place safer, a humidity and temperature control system, a new spray booth where you don't really have to worry about dust contaminating your fresh lacquer, the Plek machine and more. The old factory, while quaint, was really pretty scary from a EHS standpoint. Lots of dust and wood laying around. The spray booth upstairs was open air, so dirt and dust was floating around. It was also quite dangerous, with nitrocellulose coating the entire booth. That stuff is a lot more flammable than some people realize. The business will need to pay for that upgraded equipment. It wasn't free! To their credit, Heritage is still making archtops (the 575 and Eagle Classic). Try to get a new archtop from Gibson. The last one listed was the Chuck Berry ES 350, but it's discontinued. There are a few dozen people making teles and strats. Fender, G&L, Suhr, LSR, PRS, and ton of low cost import versions.
    2 points
  14. 2 points
  15. It would seem, to those paying even casual attention, that I did. Yes. You may refer to the first post in the thread if you're unsure.
    2 points
  16. Can’t remember a time when I only used one pedal ! the zinky overdrive channel and the deluxe memory man are all that’s required!
    2 points
  17. 94 H150 from practice this week. Dimarzio Super+Super2 installed pretty recently and faber hardware put on a year or two ago.
    2 points
  18. Here is my H140 with an F seriel number.
    2 points
  19. This was their 20th Anniversary edition. Bells and whistles. I upgraded pickups and electronics.
    2 points
  20. That’s funny because his behavior was more like a pissy school child than any manufacturer I’ve ever seen. Some of the rants and fights he got in with his customers long before his BLM behavior should’ve put him out of business. It wasn’t until his BLM remarks though that a size-able group of people saw his true colors. No mob put him out of business, his mouth did and he quit the business himself. I won’t support that guy again.
    2 points
  21. It wasn't just the SJW class that thought he was a dick. He treated many of his customers like absolute sh*t. Do a google search and I'm sure find plenty of people that he severely pissed off! There are so many pedals that are better than his why bother.
    2 points
  22. I would love to see a return to the original wood pick guards
    1 point
  23. I find the PRails to be nice with this guitar. I'm not going to change a thing! I have a LP JR, but nothing with 2 P90s. I like it! I sold a H137 to someone here years ago. $1000. Always regretted.
    1 point
  24. More low thick mids than the '59? Custom 5 from Seymour Duncan. It's a Duncan Custom with an A5 magnet, like a beefier 59. Gibson does make some nice pickups, but I find their naming conventions to be pretty confusing. Most of their pickups are vintage voiced though, and honestly overpriced for what they are. I would consult a custom maker if you were looking to spend Gibson level money on pickups. My H150 has two '59s, and I love the sound it has. I have some Hamers with '59 / JB sets, which I also love, just gotta remember to lower the JB a bit to get it how I like it.
    1 point
  25. I may be a little late, but I have a set of Gibson BB2/3 I pulled out of an Epi '59 Standard. They were pulled out about a month after I got it. Just in case you feel like rolling pickups.
    1 point
  26. I think the Antiquity is more vintage output with a lower wind and A2 magnets. I wouldn't think it was close to the JB.
    1 point
  27. The 498T has an A5 magnet and is wound around the 14.5k range.
    1 point
  28. Duncan makes better pickups in my opinion. the JB is an A5 wound to 16.4K... Not a design from the Gibson line available similar. Enjoy your oxblood!
    1 point
  29. Hi all! First off let me say I'm not a drum machine guy. In any way shape or form! Every recording I've ever done my entire life has been with a real drummer and I don't plan on changing that ever! That being said, I'm looking to get something to lay down a decent drum track that I can run right into my 8-track recorder and it will sound decent. I have absolutely no experience or knowledge of drum machines at all, I have heard that Beat Buddy is pretty good, and I have heard people talk about other models that actually adapt to the song that is playing to make a perfect beat. Again I know nothing about it so hoping some of you have some experience with home recording and can suggest one that's user friendly but actually does a great job too. Thanks everyone!
    1 point
  30. I've got an Alesis SR18. I like the drum sounds, but I never had the patience to do any programming of it. It does have some usable patterns. I used it with my Yamaha AW1600 years ago to do a version of Inner City Blues with only factory patterns. You can also feed it midi tracks from a computer and feed that to your 8 track. I've since moved to MT Power Drumkit in my DAW, although you could send the audio output from your computer to your recorder.
    1 point
  31. Hey, For a simple but awesome sounding drum app for your phone, try LOOPZ. It was created by Paul Davids (guitar youtuber). It is not a drum machine but it is great for jamming. I run mine through my bluetooth speaker.
    1 point
  32. I guess my position is that if I find the actions of a particular individual distasteful, I'll cease all interaction with them. What I won't do is create or participate in a mob action to destroy someone's character or their career or their business. That strikes me as the kind of behavior you'd expect from some pissy Jr. High Schooler.
    1 point
  33. It would take 10k or more for me to let go of this Ax... That's what it worth to me...and why I will keep it longer than the many other guitars that seam to come and go through my hands over the years...
    1 point
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